Grease lightning live cast1/7/2024 The actress dedicated her performance to her dad, and Fox paid tribute to him during the closing credits. The “High School Musical” veteran drew raves for her brave performance as the bruised, tough-talking Rizzo, going on live TV only hours after her father, Greg Hudgens, died of cancer. One notable exception was a touching scene in which new Frenchy (Carly Rae Jepsen) gets career advice from old Frenchy (Didi Conn from the movie, playing a sweet-natured waitress this time).įRENCHY FROM THE ORIGINAL GREASE IS PLAYING VI IN THE LIVE VERSION AND MY HEART CANT HANDLE THIS DINER SCENE RN- Chandler February 1, 2016 Julianne Hough was a blandly pretty presence as Sandy – imported from Utah this time instead of Australia – and as Danny, Aaron Tveit could have used a little of that old Travolta swagger. “Grease” is not known for its sparkling repartee, and the dialogue in “Grease: Live” – some of it delivered by cast members who are better singers or dancers than actors – often fell flat. “It took less than five minutes into Fox’s ‘Grease: Live’ for director Thomas Kail to throw down the gauntlet, kick it out the door and slam the door shut on just about any future live musicals when it comes to sheer technical dexterity,” said The Hollywood Reporter’s Fienberg.įrom “Greased Lightning” to “Hand Jive” to “You’re the One That I Want,” the show’s big musical numbers bristled with energy. The show made full use of its two soundstages, 21 sets and live audience to break down theater’s fourth wall in creative ways. Here’s what worked, and what didn’t.įrom the moment singer Jessie J broke into the title song and the camera tracked her as she snaked her way backstage, past cheering extras and out onto the street, you knew “Grease: Live” was not a typical musical. Still, the ambitious three-hour production drew an average of 12.2 million viewers for Fox and will likely encourage networks to develop more musicals for live television. A triumph! Bravo to Darren Criss February 1, 2016Īudio glitches interrupted Sandy’s big solo, “Hopelessly Devoted to You,” and viewers in Atlanta were jolted when the “Born to Hand Jive” dance cut out partway through and was abruptly replaced with a repeat of the “Greased Lightning” scene from earlier in the broadcast.Ī El Nino downpour also forced cast members to carry umbrellas during some outdoor scenes, filmed on a Warner Brothers backlot. Ok sorry for all the RTs it's just there really is so much good stuff to echo about how great #GreaseLive was. WHY IS IT OVER WHY WHY #GreaseLive /IxxrBi77VC- Geek & Sundry February 1, 2016 Well done the whole cast and the CREW! #GreaseLive- Anna Kendrick February 1, 2016 Brilliantly done.- Phil Rosenthal February 1, 2016Įveryone was incredible tonight. #GreaseLive may be the most spectacularly produced and directed tv show ever made. But in the court of popular opinion – Facebook and Twitter – the show was a worthy successor to the 1978 John Travolta-Olivia Newton-John movie. Some other critics were less kind, citing the sometimes-clunky acting between the big musical numbers. It was alive,” gushed Entertainment Weekly’s Darren Franich. “In this moment overrun with must-see TV events, ‘Grease’ wasn’t just live. And time after time, ‘Grease: Live’ succeeded,” wrote Daniel Fienberg in The Hollywood Reporter. “This production wasn’t about hitting notes or taking breath, but rather about making things breathtaking. The West End production received a glowing review from WhatsOnStage, with our critic saying: “Phillips’s choreography is fabulous: more character-driven than her work on the previous revival (even when exploding across the stage in rigorously drilled abandon, the company look and move like real people rather than show dancers), it’s dynamic and inventive (“Greased Lightning” has had a Stomp-like makeover that brings the house down) and fills the vast stage with whirling limbs and prodigious energy.The word on “Grease: Live”: It’s electrifying.įox’s live TV musical overcame technical glitches, a rare Los Angeles rainstorm and the death of a key cast member’s father to score rave reviews on social media and elsewhere. In 2022, Grease was seen by over 500,000 people in the West End, making it the Dominion Theatre’s most successful summer run since We Will Rock You.ĭirected by Nikolai Foster and choreographed by Arlene Phillips, the show has designs by Colin Richmond, orchestrations and musical supervision by Sarah Travis, lighting design by Ben Cracknell, sound design by Tom Marshall and Richard Brooker, video and projection design by Douglas O’Connell and casting by David Grindrod CDG. The show, which was recently nominated for four WhatsOnStage Awards, will return once more to the Dominion Theatre, where it plays from 2 June 2023 to 28 October 2023. Grease will run in the West End from next summer, it has been revealed.
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